Occhiali Neri has been hailed as Argento’s great comeback movie – but is it too little, too late from a director whose artistic visions seem long exhausted?

Occhiali Neri has been hailed as Argento’s great comeback movie – but is it too little, too late from a director whose artistic visions seem long exhausted?
Floria Sigismondi’s new Gucci commercial mixes pretension, art and witchcraft to pleasing effect.
The artistic beginning of the end for Dario Argento.
The Italian gore maestro’s gothic spectacular is both grandiosely ambitious and irritatingly flawed.