The strange desire to interpret coincidence, accidents and shameful negligence on film sets as the work of supernatural forces.

The strange desire to interpret coincidence, accidents and shameful negligence on film sets as the work of supernatural forces.
George Romero’s ‘lost’ film shows us a horrific vision of old age – but loses the point in a rather laboured attempt at metaphorical provocation.
Found Footage, modern horror and 1970s British sleaze are explored in our latest video interview.
Examining a collection of Shudder Originals while pondering how the streaming revolution feels more like a return to the norm than a giant leap forward.
The scariest film of the last decade, apparently – but does Host live up to the claims that it is the horror film we all need for the Covid Age?