Michele Soavi’s theatrical slasher film feels like an extravagant end-of-an-era production.

Michele Soavi’s theatrical slasher film feels like an extravagant end-of-an-era production.
The new fantasy interpretation of Nicholas Cage is part of a strange tradition of actors playing fictional, exaggerated versions of themselves.
Occhiali Neri has been hailed as Argento’s great comeback movie – but is it too little, too late from a director whose artistic visions seem long exhausted?
Provocative documentaries about forbidden culture, from the days when Channel 4 was still a credible and daring broadcaster.
The mad folly of the psychedelic, spectoramic, Futursound-enhanced 1977 Italian version of the Japanese monster movie classic.
The Italian gore maestro’s gothic spectacular is both grandiosely ambitious and irritatingly flawed.
Lucio Fulci’s collision of Lovecraftian gothic and hardgore splatter is visually and stylistically impressive, but somewhat overrated.
The lost mid-Sixties psych-folk career of Britain’s reluctant Italian horror star.
The iconic and outrageous illustrations of Italy’s most recognisable movie poster artist.