Continuing our occasional series looking at the post-Bond spy movies that emerged in the 1960s with this classic ‘anti-Bond’ downbeat thriller that spawned its own franchise.
The strange story of an unfilmed, crowdfunded zombie movie.
Repressed desire, acid-soaked rock fantasy and Faustian romance are the highlights of the Ealing Music and Film Festival.
Ken Russell’s quirky and atypical comedy feature film debut is better than its reputation might suggest.
If some filmmakers outstay their welcome, Quentin Tarantino won’t be the one to judge. Some older fimmakers make boring films (in many respects they are
Nicolas Roeg’s provocative and savage erotic drama is as certain to offend moralists and cinema purists now as it was at the time.