When a festival continually emails you to say that your non-existent film has been accepted for screening and awards, you might raise an eyebrow or two.

When a festival continually emails you to say that your non-existent film has been accepted for screening and awards, you might raise an eyebrow or two.
The new film from the maker of The Woman with Leopard Shoes looks to be an intense, paranoid horror thriller.
The collision of commercial and independent cinema in the cult 1970s vampire movie Ganja and Hess.
George Romero’s first film after Dawn of the Dead was an ambitious attempt to break free of the horror straitjacket.
Henry Jaglom’s psychological nightmare is the great lost film of the post-Vietnam War era.
John Cassavetes’ first masterpiece is an almost unbearably study of middle-aged, middle-class desperation.