Oliver Morris explores the new normal of the 2021 Mayhem Film Festival and finds it better than ever.

Oliver Morris explores the new normal of the 2021 Mayhem Film Festival and finds it better than ever.
Continuing our Hammer Horror retrospective with a look at their swashbuckling, vampire-battling superhero.
A remarkably low-rent toy series aimed at horror-obsessed Seventies kids.
Continuing our Hammer retrospective with a look at what might be the studio’s most underrated film, one hamstrung by tradition and expectation.
Continuing our Halloween-month exploration of Hammer Horror with the company’s sole Sherlock Holmes adaptation.
A collection of irresistible movie pairings from the glory days of cinema.
The Swedish band’s irresistible collision of Satanic Metal and kitsch pop reaches the peak of perfection.
Vincent Price stars in a Poe-flavoured adaptation of Guy de Maupassant’s The Horla.
Remembering the oddball world of underground video production, tape trading and sexploitation splatter movies.
Walerian Borowczyk’s radical reinterpretation of the much-filmed horror story is a potent study in hypocrisy and liberation.
The problems in adapting a complex story for the screen laid bare in John Irvin’s messy, compromised version of Peter Straub’s magnificent novel.
The constant implication in superhero films, that women are inherently powerless with their destinies shaped by the actions of men, does not seem a particularly empowering narrative.