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Tag: Cannibal Holocaust

Jungle Holocausts – The Murky History Of Cannibal Cinema

March 8, 2019 reprobatemagazine

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Robert Kerman 1947 – 2018

December 28, 2018 reprobatemagazine

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Review: A Whole Bag Of Crazy – Sordid Tales Of Hookers, Weed And Grindhouse Movies By Pete Chiarella

July 3, 2018 reprobatemagazine

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Go Video – The Label That Launched The Video Nasty Panic

May 29, 2018 reprobatemagazine

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Review: Amethysts – Be There

February 8, 2018 reprobatemagazine

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News: Cannibal Holocoasters

March 17, 2016 reprobatemagazine

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Misfits. Final days for cinematic icons.

I think that we can safely assume that the new Critters film that no one had asked for will not be as fun as the 1980s original...

Monday nights are for watching hexy witches 😈

“My name’s Christine… what’s yours?” asks Miss X at the start of this loungetastic cool jazz number, where suggestion is all – there’s nothing overtly rude in the minimalist lyrics, but there’s certainly the hint that when ‘Christine’ says “I’m a good girl… I told you I was good”, giggles and then promises that “your secret is safe with me”, the implication is that she might be up to all manner of naughtiness… possibly with a top politician. The B-side, S-E-X, is a continental variation on the theme, which of course automatically makes it steamier. Read all about this Profumo Scandal inspired novelty song - banned by the BBC - and the real Miss X of the notorious Stephen Ward trial on our website.

We are obsessed with @marktauriello ‘s fashion and wish to be interred wearing one of his pieces... ...one day ☠️🖤😈

“Certainly, Lynch is about more than just the films – he’s an accomplished musician and, more importantly in the context of this show, he began his creative career as an artist and animator. While most of the pieces here are from the 2000’s, we should not take this as the work of a dilettante film director indulging himself – Lynch has continued to produced art throughout his better-known career – his Angriest Dog in the World cartoon series being perhaps the best known – and if this work has increasing in the last twenty years, it’s simply because Lynch generally began to move away from filmmaking as his opportunities for creative control were increasingly diminished by a film business dominated by vacuous juvenile franchises. In short – Lynch’s art is as important and valid a part of his career as any, even if it is not as well known to the general public.” We review the David Lynch exhibition My Head is Disconnected at HOME in Manchester on the website.

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